The band owes as much to its collective conviviality as it does to its despair. The sleepy town the band members called home suffered a rash of suicides; Judith and Holofernes lost three friends to the noose. Each member dealt with their guilt differently: drink, escape, sex, isolation. Collectively, they set it all against a backdrop of old-world melody, making them stronger together than they are individually. The music is as much about sadness as it as about survival, as much about the suicides as it is about the everyday life—the afterward. The music of Judith and Holofernes is not lighthearted—it is sincere—and that sincerity, that genuine quality, is what makes their music so engaging.
The name of the band references a biblical story of a beautiful Jewess, Judith, who seduces one of Nebuchadnezzar’s invading generals, Holofernes. After getting him drunk, Judith beheaded and de-balled Holofernes, then marched into the city with the severed head, empowering the Jews to defeat their enemy. This narrative of sex, betrayal, revenge and death—similar to the fado music of Lisbon—is echoed by the band.
- Bambouche, Vanguard Squad
